September 28, 2014
I was out of town when I got the call asking about illustrating a piece on David Fincher's upcoming Gone Girl for The New Yorker, but by the time I was halfway through the walls-closing-in noire trailer I realized this was one of those assignments I was already sketching out ideas without having even said yes.
The great public specter looming over Affleck's character struck me as the stuff of great pulp covers, so the sketches began to take a turn towards the more theatrical devices of Norman Rockwell's "Razor's Edge" and Allesandro Biffignandi's "The Day the Sky Exploded." Ultimately, Rene Peron's graphically brilliant work on "The Passion of Joan of Arc," set the tone for the homage to the great pulp classics and cinema posters.
The issue hits stands this week, and Christoph Niemann's cover is brilliant. Thanks as always to AD Chris Curry.
September 9, 2014
Lazarus 11 hits stands today from Image Comics and with it the "Conclave" arc begins with the emergence of another Lazarus from the family Bittner and growing shadows of doubt haunting Forever's past, present and future. Written by Greg Rucka, art by Michael Lark with Tyler Boss, colors by Santi Arcas, lettering by Jodi Wynne, Designed by Eric Trautmann and edited by David Brothers; I couldn't ask for a more dedicated team to work with.
I've included a small process animation to the left layering steps from brush and ink drawing through Photoshop, as well as cover sketches for different approaches to Bitter and Carlyle's icy introduction below. A preview of Michael's epic opening pages for the issue is available here.
September 7, 2014
I really enjoyed illustrating this weekend's New York Times Book Review of Ben Lerner's second novel 10:04 with AD Joele Cuyler. Visually reinterpreting another's creative work via the interpretation of a third reviewer is often a telephone game-like experience, but in the case of a story that itself cites coconstruction and shared experiences of art, the layered/perception sketches below came together quickly.
I've included something that I don't always mention but is integral to most illustrations I work on: inspiration beacons. After I've worked out the content of the illustration in sketches, I reach for the shelves and folders of art books and JPGs and usually unconsciously pull a few that serve as these beacons. I place them next to the reference on a second monitor to play the role of corner-men, long lost teachers, or idea-maps to something I'm fixated on at the time. In this case, they happened to be a collage by Josep Renau, a book cover illustration by Mitchell Hooks, and a photo by John Cho.
Illustration for a chilling piece by Bucky McMahon in Medium on the volume of plastics continuing to fill (and spread) throughout the earth's oceans. Sketches below on various allusions to monsters of the deep, including the homage to Roger Kastel's JAWS illustration taken to finish. AD Erich Nagler.